There’s something not quite right, though, and it’s not just Tyler’s gritty basso profundo cutting through every melodic flourish. Tyler’s pet sounds are dark melodies hammered out on wonky synths and clattering breakbeats but here they come padded with embellishments that give Wolf a cinematic breadth.
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“48”’s crack epidemic reminiscence is adorned with elegant pianos, string stabs, tasteful guitar, and spoken word interludes from Nas. “Answer” sets Tyler’s longing for his late grandmother and absentee father to a bright guitar figure and shimmering organs. Foreboding numbers like “Rusty” (a lush reimagining of 1990s RZA production) and the nightmarish, tribal “Cowboy” are declawed by rich textures and melodicism. The polyrhythmic hi-hats of the madcap posse cut “Trashwang” eventually give pause to a piano bridge, and the blustery lead single “ Domo 23” gets a bump from a boisterous horn section. Wolf as a whole also sounds gorgeous, and that even goes for the bruisers. Tyler’s more likely to aim for melody instead of menace. Wolf is still the balancing act between gruff cynicism and juvenilia that we’ve come to expect from Odd Future (especially on “Pigs”, a bleak radio play about exacting revenge on bullies), but these songs are more three-dimensional. Drugs come up, but we also hear about a remorseful dealer surveying the havoc he’s caused and a man having a mercilessly terrible time while high. The songs about women are earnest where they used to carry murder ballads’ air of ill intent. The insurgent bravado of “ Radicals”, “ Sandwitches”, and “ French” is scaled back, replaced by songs that flip the conventions of his songwriting inside out. The first thing to go is the bratty punk fury of earlier material.
Where Goblin felt like an attempt to shoehorn the whole of Odd Future’s nihilist aesthetic into a single album, Wolf pulls back the curtain and reveal the talented introvert behind the music. A lot has changed, and now Tyler returns with Wolf.
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As a group, Odd Future embarked on a series of tours that connected them with an expanding base of teenagers and outcasts even as they drew fire from LGBT advocates, women’s groups, and a music press none too amused by the macabre content of their lyrics. In the two years since Goblin’s release, Earl Sweatshirt returned from Samoan exile, Frank Ocean opened up about his sexuality in a heartfelt Tumblr note and released the Grammy Award winning Channel Orange, and Tyler unveiled " Loiter Squad", an absurdist late night sketch comedy show. His debut album, Bastard, was filled with sharp darts for rap blogs who wouldn’t post his music, while his sophomore album, Goblin, wanted desparately to prove Odd Future was worth all their sudden hype. It’s creating a conversation about it.Odd Future ringleader Tyler, the Creator has a rap persona pitched between shock-riddled misanthropy and confessional reflection he’s preoccupied with his own press and he uses his music as a vent for anger and frustration. “I’m not saying it’s expected from him, but after the fact, I can see how this happened. “Tyler is one of those people who’s refreshing because he’s like, ‘I can produce, I can rap, I can do a clothing line and I’m going to have three covers, I don’t give a shit,'” he says. Carney says Tyler’s take on multiple covers turns the industry trend of deluxe editions and digital exclusives on its head. The cover is the first of three covers for Wolf, on sale April 2, each of which is completely different from the other two: one is an out-of-focus photograph, the other is what looks like a painting of him on a bike in a forest. “Like when you post something on YouTube and get the whole world watching.” Is it a statement about his public persona? A flashback? A guardian angel? None of the above? “I think he’s just going for something,” Philip Schiffman says. “It’s this treasured possession, and his hat says Wolf on it, so you think he’s really bad-ass, but in the background he’s holding this inhaler.” “What’s funny about it is the way he’s holding it in the picture,” Storey says. The foreground image of Tyler staring off into the distance is fairly tame by Tyler standards, but what about the background, which finds Tyler wearing a cat-patterned shirt and cradling an inhaler in his palms? Tyler, the Creator is known for being a master of shock value and controversey, and the cover of his upcoming album, Wolf, is just as provocative as his music, both solo and with his Odd Future bandmates.
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